- In Run Lola Run: 5 visual aesthetics; the formalistic aspects of the film's style and story structure; epigraphs; birds-eye view shot; split screen; Butterfly Effect; motifs (spirals, clocks, etc.), montage; flash forward; red filter; freeze frame; web of life plot; and Lola as hero. Be able to cite specific examples of these concepts from the film to prove your point.
- In Psycho: shooting day for night; voyeurism; MacGuffin; parallel editing or crosscutting; director's cameo; motifs of mirrors and birds; the shower scene; the characterization of Norman Bates; the final image; and the groundbreaking features of the film in general. Be able to cite specific examples of these concepts from the film to prove your point.
- In Do The Right Thing: title credits; match cut; breaking the fourth wall; litany; episodic story structure vs. the classical paradigm; montage; racial tensions in NYC; and Spike Lee's DVD Special Features. Be able to cite specific examples of these concepts from the film to prove your point.
- In Chapter 2 - Understanding Movies: Mise en scene ("placing on stage"); aspect ratio (standard vs. widescreen); iris shot; the dominant; subsidiary contrasts; intrinsic interest; tight vs. loose framing; character placement; composition; proxemic patterns; open vs. closed form.
This is only a general guide and not necessarily a complete list of everything we learned and everything you should study!
Extra help will be offered after school at 2:35 p.m. on Monday, 12/5 in room 452.
The approximate test breakdown: 60% multiple choice / 20% mini essay on mise en scene / 20% short answers
Good luck!
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